(Source: Spotify)

This was posted 2 days ago. It has 0 notes.

(Source: slumberrland, via ccal)

This was posted 2 days ago. It has 30,943 notes. .
imprec:

Dockstader

imprec:

Dockstader

This was posted 2 days ago. It has 6 notes. .
a-v-a-n-t-g-a-r-d-e-n:

Christopher Williams, Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. Archival corrugated board, archival photo corners, compound, 4-ply Conservamat, 8-ply Conservamat, drywall, dye transfer print, glass, lacquer-based finish, linen tape, nails, Northern maple, plastic setback strips, primer, screws, seaming tape, paint, and wood.

a-v-a-n-t-g-a-r-d-e-n:

Christopher Williams, Bouquet for Bas Jan Ader and Christopher D’Arcangelo, 1991. Archival corrugated board, archival photo corners, compound, 4-ply Conservamat, 8-ply Conservamat, drywall, dye transfer print, glass, lacquer-based finish, linen tape, nails, Northern maple, plastic setback strips, primer, screws, seaming tape, paint, and wood.

This was posted 2 days ago. It has 8 notes. .

(Source: vhspositive)

This was posted 2 days ago. It has 7 notes. .

neuromodulate:

To be released on Neuromodulation - JS Aurelius (Marshstepper/Destruction Unit) and Marie Davidson (Les Momies de Palerme/Essaie pas). Seven inches, forty-five revolutions per minute split vinyl disk. Audio mixing of “L’espoir est mon sentiment le plus noir” by Cristobal Urbina. Audio mastering work by Jesse Osborne-Lanthier. For additional information, distribution or to submit work for future projects and releases, please contact us.

À paraître sur Neuromodulation - JS Aurelius (Marshstepper/Destruction Unit) et Marie Davidson (Les Momies de Palerme/Essaie Pas). Disque double de sept pouces, quarante-cinq tours. Mixage de “L’espoir est mon sentiment le plus noir” par Cristobal Urbina. Matriçage audio par Jesse Osborne-Lanthier. Pochette par JS Aurelius. Veuillez nous contacter pour toute information additionnelle, distribution ou soumission de projets.

(via ascetichouse)

This was posted 3 days ago. It has 13 notes.
nemfrog:

Plate II. Eimeria oxyspora. Magnified x2200. 1922.

nemfrog:

Plate II. Eimeria oxyspora. Magnified x2200. 1922.

This was posted 3 days ago. It has 17 notes. .

fuckinrecordreviews:

"Yet another definitive Sebadoh recording; in fact, there hasn’t been one so far that doesn’t encompass everything this wide band is about."

CRANK Issue 3 Spring 1993 (no page #)

SEBADOH review by Marc Masters, Editor-in-Chief 

This was posted 3 days ago. It has 19 notes.
jellobiafrasays:

(c1950s)

jellobiafrasays:

(c1950s)

This was posted 3 days ago. It has 28 notes. .
a-v-a-n-t-g-a-r-d-e-n:

Lucas Blalock, Cactus Action, 2014. Archival pigment print; 21 × 17 in (53.34 × 43.18 cm).

a-v-a-n-t-g-a-r-d-e-n:

Lucas Blalock, Cactus Action, 2014. Archival pigment print; 21 × 17 in (53.34 × 43.18 cm).

This was posted 1 week ago. It has 23 notes. .
This was posted 2 weeks ago. It has 1 note.
mailorderapocrypha:

YOUR HANDWRITING OOZING SEX? (1981)

mailorderapocrypha:

YOUR HANDWRITING OOZING SEX? (1981)

(via jellobiafrasays)

This was posted 2 weeks ago. It has 98 notes. .
unusualdanger:

Early Throbbing Gristle

unusualdanger:

Early Throbbing Gristle

(via sound-anatomia)

This was posted 2 weeks ago. It has 599 notes. .
nemfrog:

Plate XXIV

nemfrog:

Plate XXIV

(via nemfrog)

This was posted 2 weeks ago. It has 12 notes. .
thethingsishot:

TTIS

thethingsishot:

TTIS

(via grvd-noise)

This was posted 2 weeks ago. It has 120 notes. .